The premise behind these pieces is to present the actualisation of animation in a deliberately overstated and oversimplified visual language.   Through this the notion of illusion and representation comes to the fore, as the television screens themselves become a point of focus and compartmentalise the thought processes behind the sequence.   They are conceptual supports for the progression of ideas as well as physically explore-able entities.   The works themselves are to be seen as installations that subtly confront physical space in multiple dimensions.